{"id":14053,"date":"2019-09-10T15:07:50","date_gmt":"2019-09-10T13:07:50","guid":{"rendered":"https:\/\/www.arches-papers.com\/v2\/?p=14053"},"modified":"2021-01-18T12:40:06","modified_gmt":"2021-01-18T11:40:06","slug":"tang-haywen","status":"publish","type":"post","link":"https:\/\/arches-papers.com\/fr\/tang-haywen\/","title":{"rendered":"T\u2019ang Haywen"},"content":{"rendered":"
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Zeng Tianfu dont le nom d\u2019artiste allait devenir T\u2019ang Haywen, est n\u00e9 le 20 D\u00e9cembre 1927 \u00e0 Xiamen dans la province du Fujian en Chine. Arriv\u00e9 en France en 1948, il appartient \u00e0 la seconde g\u00e9n\u00e9ration d\u2019artistes chinois qui s\u2019y sont install\u00e9s apr\u00e8s la seconde guerre mondiale. Contrairement \u00e0 ses contemporains Chu Teh-Chun et Zao Wou-Ki, qui avaient suivi les cours de l\u2019Acad\u00e9mie de Hangzhou, T\u2019ang n\u2019a pas re\u00e7u d\u2019\u00e9ducation artistique formelle. C\u2019est l\u2019enseignement de la calligraphie et les principes du tao\u00efsme qui ont fa\u00e7onn\u00e9 son art.<\/p>\n

Plut\u00f4t que d\u2019\u00e9tudier la m\u00e9decine, comme sa famille l\u2019avait pr\u00e9vu, T\u2019ang suit des cours de dessin \u00e0 l\u2019Acad\u00e9mie de la Grande Chaumi\u00e8re et passe du temps dans les mus\u00e9es \u00e0 \u00e9tudier les oeuvres de ma\u00eetres occidentaux tels que Gauguin, C\u00e9zanne et Matisse.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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En 1958, il \u00e9crit \u00e0 son fr\u00e8re : \u201cJ\u2019ai trouv\u00e9 ma vocation dans la peinture\u2026\u201d T\u2019ang d\u00e9montre une pr\u00e9f\u00e9rence pour la gouache, l\u2019aquarelle et l\u2019encre sur papier. Il m\u00e9lange les \u00e9l\u00e9ments traditionnels chinois du lavis abstrait avec les styles plus lyriques et lumineux de l\u2019occident.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Sans titre, c.1986, encre sur ARCHES\u00ae<\/sup>,
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Il d\u00e9veloppe un espace pictural original avec les grands diptyques de 70cx100 cm qui le caract\u00e9risent. Tr\u00e8s vite, il \u00e9prouve le besoin de rendre hommage aux impressionnistes qu\u2019il v\u00e9n\u00e8re en peignant sur de grandes feuilles. De 1960 \u00e0 1965, il produit \u00e9galement une s\u00e9rie de tr\u00e8s petites huiles. L\u2019huile est le m\u00e9dium de l\u2019occident.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Sans titre, c.1980, encre sur ARCHES\u00ae<\/sup>,
diptyque 600 x 600 mm<\/p><\/div>

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diptyque 600 x 600 mm<\/p><\/div>

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Au cours des ann\u00e9es 1970 et 1980, les voyages (Inde) et les expositions se succ\u00e8dent. La vie de T\u2019ang est guid\u00e9e par les rencontres. Il est plus concern\u00e9 par le bonheur que par le succ\u00e8s.<\/p>\n

Au d\u00e9but des ann\u00e9es 1980, T\u2019ang continue \u00e0 peindre des diptyques de divers formats, de petits triptyques \u00e0 l\u2019encre et en couleurs et de nombreuses petites aquarelles que ses amis utilisent comme cartes de v\u0153ux. Il vit de plus en plus simplement et sa recherche spirituelle le rapproche d\u2019un groupe d\u2019amis dont fait partie la galeriste Nane Stern. Pour les f\u00eates de P\u00e2ques, ils se rendent \u00e0 l\u2019abbaye de Fontgombault. T\u2019ang y sera baptis\u00e9 en 1984 sous le pr\u00e9nom de Fran\u00e7ois.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\"Sans<\/a>

Sans titre, c.1980, encre sur ARCHES\u00ae<\/sup>,
diptyque 600 x 600 mm<\/p><\/div>

\"Sans<\/a>

Sans titre, c.1980, encre sur ARCHES\u00ae<\/sup>,
diptyque 600 x 600 mm<\/p><\/div>

\"Sans<\/a>

Sans titre, c.1980, encre sur ARCHES\u00ae<\/sup>,
diptyque 600 x 600 mm<\/p><\/div><\/div><\/div>\n<\/div>\n<\/div>\n

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En 1983 et 1984, gr\u00e2ce \u00e0 son ami Dominique Ponnau, T\u2019ang expose en Bretagne au Mus\u00e9e des Beaux-Arts de Quimper puis au Mus\u00e9e du Ch\u00e2teau de Vitr\u00e9. Les grands diptyques sont encore peints sur des cartons produits \u00e0 partir de fibres de bois. Certains l\u2019encouragent \u00e0 choisir un support plus conforme. T\u2019ang commence \u00e0 peindre sur du papier ARCHES\u00ae<\/sup> Aquarelle 100 % coton.<\/p>\n

T\u2019ang continue \u00e0 voyager et \u00e0 exposer en France et \u00e0 l\u2019\u00e9tranger. En Juin 1991, il apprend qu\u2019il a le SIDA, dont il d\u00e9c\u00e8de le 9 Septembre 1991.<\/p>\n

Vers la fin des ann\u00e9es 1990, la peinture de T\u2019ang commence \u00e0 int\u00e9resser un plus large public. Quelques expositions importantes, notamment au Mus\u00e9e Oc\u00e9anographique de Monaco, au Mus\u00e9e des Beaux-Arts de Taipei, au Mus\u00e9e Guimet et \u00e0 la Fondation Shiseido d\u00e9montrent l\u2019importance et l\u2019originalit\u00e9 de son \u0153uvre.<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"Zeng Tianfu dont le nom d\u2019artiste allait devenir T\u2019ang Haywen, est n\u00e9 le 20 D\u00e9cembre 1927 \u00e0 Xiamen dans la province du Fujian en Chine. Arriv\u00e9 en France en 1948, il appartient \u00e0 la seconde g\u00e9n\u00e9ration d\u2019artistes chinois qui s\u2019y sont install\u00e9s apr\u00e8s la seconde guerre mondiale. 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