{"id":33636,"date":"2016-12-15T10:31:35","date_gmt":"2016-12-15T09:31:35","guid":{"rendered":"https:\/\/arches-papers.com\/?p=33636"},"modified":"2021-07-16T15:37:19","modified_gmt":"2021-07-16T13:37:19","slug":"la-gravure-en-reduction-expliquee-par-philipp-hennevogl","status":"publish","type":"post","link":"https:\/\/arches-papers.com\/fr\/la-gravure-en-reduction-expliquee-par-philipp-hennevogl\/","title":{"rendered":"La gravure en r\u00e9duction expliqu\u00e9e par Philipp Hennevogl"},"content":{"rendered":"
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Philipp Hennevogl est n\u00e9 en 1968 \u00e0 W\u00fcrzburg (Allemagne). Depuis 1992, il expose r\u00e9guli\u00e8rement dans de nombreuses galeries et institutions d\u2019art et ses \u0153uvres sont pr\u00e9sentes dans plusieurs collections priv\u00e9es et publiques en Allemagne.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Philipp Hennevogl r\u00e9alise ses linogravures \u00e0 partir de ses propres photographies, \u00e0 la main ou sur presse \u00e0 \u00e9preuve typographique.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Pendant de nombreuses ann\u00e9es, il a imprim\u00e9 en 1 couleur. Aujourd\u2019hui, il utilise la technique de \u00ab gravure en r\u00e9duction\u00a0\u00bb et imprime en 6 \u00e0 8 couleurs de la m\u00eame mani\u00e8re que Picasso qui ex\u00e9cuta sa premi\u00e8re linogravure en 1954.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\"Blatt,<\/a>

Blatt<\/strong>\n2016\n\u00a9 Philipp Hennevogl<\/p><\/div>

\"Fenster,<\/a>

Fenster<\/strong>\n2016\n\u00a9 Philipp Hennevogl<\/p><\/div><\/div><\/div>\n<\/div>\n<\/div>\n

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La linogravure est une technique de gravure relativement r\u00e9cente (le linol\u00e9um appara\u00eet en Angleterre en 1863). \u00c0 l’origine utilis\u00e9 pour recouvrir les sols, c’est seulement vers 1900 qu’il est d\u00e9tourn\u00e9 par les artistes vers la gravure.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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La linogravure est d\u00e9riv\u00e9e de la xylographie (gravure sur bois). On y retrouve donc les m\u00eames principes techniques : taille d\u2019\u00e9pargne des blancs (la gravure proprement dite), application de l’encre dispos\u00e9e sur les zones non creus\u00e9es (l’encrage) et enfin transfert de l’image grav\u00e9e sur le papier (l’impression ou tirage).<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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La technique de \u00ab gravure en r\u00e9duction\u00a0\u00bb ou \u00ab \u00e0 lino perdu\u00a0\u00bb consiste \u00e0 imprimer en plusieurs passages successifs (de la couleur la plus claire \u00e0 la plus fonc\u00e9e) \u00e0 partir d\u2019une seule plaque de lino. Le dessin est reproduit \u00e0 l\u2019envers sur la plaque de lino. Cette derni\u00e8re est regrav\u00e9e et r\u00e9encr\u00e9e apr\u00e8s chaque tirage r\u00e9v\u00e9lant ainsi progressivement sur le papier le motif final.
\nA la fin du processus, la plaque de lino n\u2019est plus utilisable, c\u2019est la raison pour laquelle on nomme cette technique \u00ab\u00a0\u00e0 lino perdu\u00a0\u00bb. Le nombre de tirages est donc limit\u00e9.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\"Untermtisch,<\/a>

Untermtisch<\/strong>\n2015\n\u00a9 Philipp Hennevogl<\/p><\/div>

\"Pistole,<\/a>

Pistole<\/strong>\n2015\n\u00a9 Philipp Hennevogl<\/p><\/div><\/div><\/div>\n<\/div>\n<\/div>\n

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Le choix du papier est tr\u00e8s important pour cette technique bien sp\u00e9cifique. Philipp Hennevogl privil\u00e9gie le papier ARCHES\u00ae<\/sup> Platine car il n\u2019absorbe pas la couleur. Les couleurs restent nettes et ne brillent pas m\u00eame apr\u00e8s le 8\u00e8me<\/sup> tirage. Le papier, dont la surface est parfaite, reste d\u2019une stabilit\u00e9 exemplaire apr\u00e8s chaque impression et conserve sa rigidit\u00e9.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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www.philipp-hennevogl.de<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"Philipp Hennevogl est n\u00e9 en 1968 \u00e0 W\u00fcrzburg (Allemagne). 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