{"id":49069,"date":"2024-11-22T17:10:18","date_gmt":"2024-11-22T16:10:18","guid":{"rendered":"https:\/\/arches-papers.com\/?p=49069"},"modified":"2024-11-25T12:27:00","modified_gmt":"2024-11-25T11:27:00","slug":"arches-88-le-papier-ideal-pour-la-serigraphie","status":"publish","type":"post","link":"https:\/\/arches-papers.com\/fr\/arches-88-le-papier-ideal-pour-la-serigraphie\/","title":{"rendered":"ARCHES\u00ae 88, le papier id\u00e9al pour la s\u00e9rigraphie"},"content":{"rendered":"

[vc_row][vc_column][vc_row_inner][vc_column_inner][vc_column_text]Le papier ARCHES\u00ae 88 est une r\u00e9f\u00e9rence des papiers ARCHES\u00ae d\u00e9di\u00e9s \u00e0 l\u2019\u00e9dition d\u2019art bien connue des s\u00e9rigraphes.<\/strong><\/p>\n

L\u2019ARCHES\u00ae 88<\/a> est un papier tr\u00e8s blanc,100 % coton, dont le pouvoir absorbant est tr\u00e8s important car il est non coll\u00e9. Cette sp\u00e9cificit\u00e9 permet d\u2019apposer de nombreuses teintes successivement tout en \u00e9vitant le maculage, l\u2019encre \u00e9tant parfaitement absorb\u00e9e.<\/p>\n

Le chiffre 88 pr\u00e9sent dans le filigrane de ce papier fabriqu\u00e9 sur forme ronde est un clin d\u2019\u0153il au d\u00e9partement des Vosges.<\/p>\n

S\u2019il est id\u00e9al pour la s\u00e9rigraphie, il convient \u00e9galement pour la typographie, la gravure et aussi la lithographie \u00e0 condition de ne pas tremper le papier. Il peut aussi \u00eatre utilis\u00e9 pour la dorure \u00e0 chaud et le gaufrage.<\/p>\n

ARCHES\u00ae 88, une r\u00e9f\u00e9rence incontournable pour certains projets s\u00e9rigraphiques<\/h3>\n

Le studio Serio Press a mis au point une m\u00e9thode d\u2019impression destructive brevet\u00e9e et exp\u00e9rimentale. La technique consiste \u00e0 \u00ab d\u00e9truire \u00bb le support sur lequel l\u2019\u0153uvre est imprim\u00e9e, gr\u00e2ce \u00e0 un proc\u00e9d\u00e9 ma\u00eetris\u00e9 permettant de cr\u00e9er un jeu de textures. En imprimant une couche de m\u00e9dium brillant transparent de fa\u00e7on r\u00e9p\u00e9t\u00e9e sur un papier doux sans laisser l\u2019encre s\u00e9cher, on force le papier \u00e0 absorber le liquide et il commence \u00e0 coller \u00e0 l\u2019\u00e9cran. G\u00e9n\u00e9ralement, pour la s\u00e9rigraphie, les tirages sont mis \u00e0 s\u00e9cher, une fois chaque couche imprim\u00e9e. Mais avec ce proc\u00e9d\u00e9, on imprime jusqu\u2019\u00e0 30 ou 40 couches de m\u00e9dium brillant \u00e0 la suite. Le papier absorbe le m\u00e9dium. \u00c0 chaque passage de raclette, quand il entre en contact avec l\u2019\u00e9cran, le papier imbib\u00e9 colle \u00e0 l\u2019\u00e9cran et finit par se d\u00e9chirer aux endroits o\u00f9 le m\u00e9dium a \u00e9t\u00e9 appliqu\u00e9. Cela permet d\u2019obtenir une base textur\u00e9e pour accueillir les encres.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_single_image image=”49080″ img_size=”full” alignment=”center”][vc_empty_space][vc_column_text]Ce proc\u00e9d\u00e9 a \u00e9t\u00e9 utilis\u00e9 pour imprimer des \u0153uvres d\u2019art de Shepard Fairey car il met en valeur l\u2019esth\u00e9tique des affiches en p\u00e2te d\u2019amidon de l\u2019artiste qui ornent les rues depuis des d\u00e9cennies. Expos\u00e9es aux intemp\u00e9ries, ces affiches se d\u00e9gradent avec le temps, ce qui leur donne un aspect alt\u00e9r\u00e9 et d\u00e9chir\u00e9.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_single_image image=”49087″ img_size=”full” alignment=”center”][vc_empty_space][vc_single_image image=”49094″ img_size=”full” alignment=”center”][vc_empty_space][vc_column_text]<\/p>\n

\u00ab On a reproduit certaines photos et vid\u00e9os de l\u2019\u0153uvre de Shepard Fairey sur du papier Arches 88, parce que les diff\u00e9rentes couches s\u2019\u00e9caillaient d’une mani\u00e8re particuli\u00e8re quand le papier \u00e9tait malmen\u00e9 lors du proc\u00e9d\u00e9 de s\u00e9rigraphie.
\nEn imprimant successivement plusieurs fois dessus, la couche sup\u00e9rieure du papier finit par \u00eatre satur\u00e9e d’humidit\u00e9 et par s\u2019\u00e9cailler. Il n\u2019y a qu\u2019avec le papier Arches 88 que j\u2019ai r\u00e9ussi \u00e0 obtenir ce r\u00e9sultat. \u00bb
\n<\/em><\/p><\/blockquote>\n

Tony Clough, patron de Serio Press<\/p>\n

Serio Press<\/h3>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_btn title=”Regarder la vid\u00e9o” shape=”square” color=”inverse” align=”center” link=”url:https%3A%2F%2Farches-papers.com%2Fwp-content%2Fuploads%2F2024%2F11%2FShepardFaireyOnArches.mp4||target:%20_blank|”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_single_image image=”49101″ img_size=”full” alignment=”center”][vc_column_text]<\/p>\n

\u00a9 Shepard Fairey – S\u00e9rigraphie tir\u00e9e \u00e0 la main en 6 couleurs sur papier ARCHES 88 350 g\/m\u00b2<\/span><\/em><\/p>\n

[\/vc_column_text][vc_empty_space][vc_column_text]Shepard Fairey<\/strong> est n\u00e9 \u00e0 Charleston, une ville am\u00e9ricaine de Caroline du Sud. Il a d\u00e9croch\u00e9 sa licence d\u2019art en illustration \u00e0 la Rhode Island School of Design de Providence, dans l\u2019\u00c9tat de Rhode Island. En 1989, il a cr\u00e9\u00e9 le sticker \u00ab Andre the Giant has a Posse \u00bb qui a donn\u00e9 naissance \u00e0 la campagne OBEY GIANT, avec des images qui ont chang\u00e9 la vision des gens sur l\u2019art et le paysage urbain. Apr\u00e8s plus de 30 ans, son travail est aujourd’hui un recueil d\u2019\u0153uvres salu\u00e9es par la critique, avec notamment le portrait \u00ab Hope \u00bb de 2008 de Barack Obama, visible \u00e0 la Smithsonian’s National Portrait Gallery. En 2017, l’artiste a cr\u00e9\u00e9 avec Amplifier la s\u00e9rie \u00ab We The People \u00bb, qu’on a pu voir durant les manifestations f\u00e9ministes et d’autres rassemblements \u00e0 travers le monde en faveur de la justice sociale am\u00e9ricaine et internationale.<\/p>\n

Les stickers de Fairey, son street art non conventionnel et ses fresques murales dans les endroits publics sont reconnaissables dans le monde entier. On retrouve ses \u0153uvres notamment dans des collections permanentes de l\u2019Institut d’art contemporain de Boston, du Mus\u00e9e d’art moderne MoMA, du Mus\u00e9e des beaux-arts de Boston, du San Francisco Museum of Modern Art, de la Smithsonian’s National Portrait Gallery, du Victoria and Albert Museum, etc.<\/p>\n

Shepard Fairey a peint plus de 110 fresques murales \u00e0 travers le monde, sur les six continents.<\/p>\n

\u00ab Open Minds \u00bb est une phrase que j\u2019ai utilis\u00e9e dans plusieurs de mes cr\u00e9ations. C\u2019est quelque chose en quoi je crois profond\u00e9ment. Il faut observer, analyser les choses et avoir l\u2019esprit ouvert pour passer au peigne fin toutes les mauvaises informations et la d\u00e9sinformation qui inondent ce monde et pour pouvoir prendre de bonnes d\u00e9cisions. Je fais \u00e9norm\u00e9ment de recherches pour pouvoir faire des affirmations en \u00e9tant presque s\u00fbr qu\u2019elles sont vraies. Et pour toutes les personnes qui se sentent impuissantes face aux structures soci\u00e9tales et aux syst\u00e8mes politiques, je crois que la solution, c\u2019est d\u2019avoir l\u2019esprit et les yeux grands ouverts et d\u2019\u00eatre proactif, de voter et de d\u00e9penser son argent de mani\u00e8re engag\u00e9e. Il faut avancer dans la vie en ayant un but et en \u00e9tant sensible \u00e0 ce qui nous entoure. Dans cette image, le portrait est segment\u00e9 par une \u00e9norme d\u00e9chirure et la couleur change selon la partie du tirage le long du bord d\u00e9chir\u00e9. \u00c7a symbolise la fracture actuelle des m\u00e9dias et les diff\u00e9rentes interpr\u00e9tations de ce qui se passe dans le monde. \u00c7a repr\u00e9sente \u00e9galement la n\u00e9cessit\u00e9 de retirer les couches de tout ce \u00e0 quoi on est confront\u00e9s. \u00bb <\/em>\u2013 Shepard<\/p><\/blockquote>\n

[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"Le studio Serio Press a mis au point une m\u00e9thode d\u2019impression destructive brevet\u00e9e et exp\u00e9rimentale. 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