{"id":52021,"date":"2025-06-16T10:04:43","date_gmt":"2025-06-16T08:04:43","guid":{"rendered":"https:\/\/arches-papers.com\/?p=52021"},"modified":"2025-06-16T10:22:22","modified_gmt":"2025-06-16T08:22:22","slug":"andre-jacquemin-an-outstanding-printmaker-from-the-vosges","status":"publish","type":"post","link":"https:\/\/arches-papers.com\/ja\/andre-jacquemin-an-outstanding-printmaker-from-the-vosges\/","title":{"rendered":"Andr\u00e9 Jacquemin, an outstanding printmaker from the Vosges"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;52066&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; onclick=&#8221;img_link_large&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_empty_space][vc_column_text]Andr\u00e9 Jacquemin was an illustrious French painter, printmaker and watercolourist who was born in \u00c9pinal, in the Vosges region of France 3 September 1904.<\/p>\n<p>At the age of six, he started at Saint Go\u00ebry school where he soon became known for his drawing skills. Cigar boxes decorated by Jacquemin would change hands in the school yard for a few liquorice bootlaces. At 17 he left for Paris to attend the \u00c9cole des Beaux-Arts, where he learned the art of printmaking with Charles Albert Waltner. In 1928 with eleven other printmakers he founded an association named <em>La jeune gravure contemporaine<\/em>. He quickly began to collect awards: the Blumenthal Prize in 1930 and in 1936 the Grand Prix National des Arts, becoming the first printmaker to be awarded this prize. In 1937, he represented French printmaking at the Venice Biennale.[\/vc_column_text][vc_empty_space][\/vc_column_inner][\/vc_row_inner][vc_column_text]At the beginning of 1932, he became a member of the <em>Peintres graveurs fran\u00e7ais<\/em> society, sponsored by Laboureur and Dunoyer de Segonzac, whom he saw as his spiritual father. In 1934 he married Andr\u00e9e PONCELET, sister of painter Maurice-Georges Poncelet. She was also a painter, working under the pseudonym Andr\u00e9e JACLET.<\/p>\n<p>In 1953 he became curator of the Mus\u00e9e D\u00e9partemental des Vosges, where among other things he would organise the Epinal prints section and the contemporary art collection, which he enhanced with three Picassos. In 1974 he left the museum in Epinal to return to the capital. His studio on the ninth floor of a building in the Palais-Royal quarter had a splendid view across the rooftops of Paris towards the Sacr\u00e9-C\u0153ur. He was at the peak of his career at this time. As well as producing art, he also gave numerous talks on printmaking and the works of his beloved Rembrandt. The exhibitions, which had never stopped, soon gave way to important retrospectives organised by prestigious institutions: the Biblioth\u00e8que Nationale in 1981, La Monnaie de Paris in 1983, the Mus\u00e9e du Luxembourg in 1989, Vosges Departmental Council in 1990.<\/p>\n<p>In March 1981, Andr\u00e9 Jacquemin was elected to the printmaking section of the Acad\u00e9mie des Beaux-Arts, taking over the seat of painter and lithographer Pierre-Eug\u00e8ne Clairin. He presided the Acad\u00e9mie in 1989. He died in Paris on 16 January 1992 at the age of 88.[\/vc_column_text][vc_empty_space][vc_single_image image=&#8221;52059&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 13px;\"><em>Commemorative plaque in \u00c9pinal.<\/em><\/span><\/p>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<h3>An outstanding printmaker<\/h3>\n<p>In printmaking he represented the great intaglio from life tradition, constantly renewed artistic expression in black and white. Space or landscape&#8230; Jacquemin&#8217;s great talent was to be able to evoke these two aspects of nature through the purity of the composition and structures. There is a profound creative, but often barely figurative human presence, while the place is real. Expanses stretching as far as the eye can see, field of snow, fields of wheat, bodies of water&#8230; all themes close to his heart. But if there is one area where he excelled, it was in depicting snowy landscapes: they have a supernatural dimension to them. He alone has been capable of transforming the white of the paper into snow and materialising its density, of conveying the silence that reigns in these spaces. His talent as an alchemist never fails to surprise and enthral. It is a revelation in white and black. The same could almost be said of his variations in atmosphere.[\/vc_column_text][vc_empty_space][vc_single_image image=&#8221;52052&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 13px;\"><em>\u00a9 Andr\u00e9 Jacquemin \u2013 Print on Velin d\u2019ARCHES\u00ae paper &#8211; 1989<\/em><\/span><\/p>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]He drew and engraved from nature. He would always remain faithful to this method and it shows in his work, as he projected his purest feelings and impressions onto the plate with the synthetism and abstraction required by engraving; he imbued his works with an astonishing sensitivity and truth. He avoided deferred creation with an intermediate drawing stage, finding it desiccating for this form of expression. From the outset his work had this singular appeal, and the masterpieces he produced over the course of his career can only be dated because he engraved dates in the copper.<\/p>\n<p>His landscapes, mostly engraved with a burin on a copper plate, hang in numerous museums in France and abroad.[\/vc_column_text][vc_empty_space][vc_single_image image=&#8221;52031&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 13px;\"><em>\u00a9 Andr\u00e9 Jacquemin \u2013 Epinal, Orchards in August \u2013 Aqua fortis on Velin d\u2019ARCHES\u00ae paper &#8211; 1964<\/em><\/span><\/p>\n<p>[\/vc_column_text][vc_empty_space][vc_single_image image=&#8221;52038&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 13px;\"><em>\u00a9 Andr\u00e9 Jacquemin \u2013 Village on the Vosges Plain \u2013 Print on Velin d\u2019ARCHES\u00ae paper &#8211; 1970<\/em><\/span><\/p>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<h3>An artist with multiple skills<\/h3>\n<p>Andr\u00e9 Jacquemin also produced a large number of drawings, pastels, watercolours and paintings. He produced portraits, animal pictures, prints of nudes, genre and type scenes and still lifes as well as illustrations.<\/p>\n<p>1938 marked the beginning of his career as an illustrator. He dreamed of illustrating <em>La Colline inspir\u00e9e<\/em>, the Vosges-set masterpiece by Maurice Barr\u00e8s, and a set of illustrations was commissioned from him by the <em>Soci\u00e9t\u00e9 des Bibliophiles franco-suisses<\/em>. The dramatic story of the Baillard brothers set in the Sion-Vaud\u00e9mont area he loved and knew so well would be his first &#8220;great battle&#8221;: eighty-five original plates printed from aqua fortis etchings done in two years. It would immediately establish him as one of the masters of modern illustration.[\/vc_column_text][vc_empty_space][vc_single_image image=&#8221;52045&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 13px;\"><em>\u00a9 Andr\u00e9 Jacquemin \u2013 Beech Forest near Plombi\u00e8res \u2013 Drypoint on <a href=\"https:\/\/arches-papers.comarches-range-of-papers\/art-publishing\/velin-d-arches\/\">Velin d\u2019ARCHES\u00ae paper<\/a> \u2013 1983<\/em><\/span><\/p>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]His work as an illustrator included thirty-one books by established authors: Barr\u00e8s, Montherlant, Colette, Giono, Brillat-Savarin, Bernanos, Malraux, Pourrat, Bosco, Mac Orlan, among others. Jacquemin always adapted his technique to the writer&#8217;s style. He did his engravings in the places where the action took place, attempting to find the real, to establish a communion, a complicity with the land, the characters and the author.<\/p>\n<p>He left a powerful, authentic and substantial body of work: landscapes, animals, faces, nudes, elegantly etched in copper or drawn on paper, all suffused, as he was, with a profound love of nature and a dazzling <em>joie de vivre<\/em>.<\/p>\n<p><a href=\"http:\/\/www.andre-jacquemin.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Andr\u00e9 Jacquemin, Vosgian painter and printmaker (andre-jacquemin.com)<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"Andr\u00e9 Jacquemin was an illustrious French painter, printmaker and watercolourist who was born in \u00c9pinal, in the Vosges region of France 3 September 1904.","protected":false},"author":18,"featured_media":52024,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-52021","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Andr\u00e9 Jacquemin, a French painter, printmaker and watercolourist<\/title>\n<meta name=\"description\" content=\"Andr\u00e9 Jacquemin was an illustrious French painter, printmaker and watercolourist who was born in \u00c9pinal, in the Vosges region of France 3 September 1904.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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