Our 2 new digital fine art papers, ARCHES® 88 and ARCHES® BFK RIVES® Pure White, have been selected by the Hot Ones’ buyers guide which appears in the US Professional Photographer magazine. It is a huge honor for ARCHES® to be featured in the Hot Ones buyers guide, which showcases
Why number 88? 88, which we find in the watermark of this ARCHES® art publishing paper, is the code number of the Department of the Vosges in France. The town of Arches is situated in the Vosges, in the heart of a papermaking region. ARCHES® therefore benefits from a regional
Working alongside Canon, and renowned photographer and landscape artist, Robert Rodriguez Jr., the team at ARCHES® have created a step-by-step guide for artists looking to create their own limited edition prints .
What does the acronym BFK (Rives) stand for?
A small family concern created in 1787 in Rives, in the French Department of Isère, the Blanchet de Rives paper mill became Blanchet Frères & Kléber in 1820 when brothers Augustin and Victor Blanchet joined forces with Jean-Antoine Didier Kléber.
Gérardmer 2021, a fantastic virtual festival!
This year, the Festival International du Film Fantastique de Gérardmer, which took place from 27 to 31 January 2021, was on line. The organizers did not want to cancel the feature festival despite the pandemic.
Today, ARCHES® is very proud to present to photographers & printmakers its new range of papers for high-end fine art digital printing. These papers have an innovative surface coating specially developed by its research centres. These are the whitest papers on the market made on a cylinder mould without optical brighteners!
Picasso and the Comic Strip was the theme of one of the two not-to-be-missed exhibitions at the Musée Picasso in Paris at the end of 2020. The second one entitled Picasso Poet was to have run at the same time. They shared a common theme, the link between text and image in the work of Pablo Picasso.
It was during her training in industrial design at ENSAAMA Olivier de Serres, where she graduated in 1989, that Marianne Guély discovered and tamed paper, which would become the signature material for her creations.
Working first as a freelance designer, her expertise in using objects and space as a territory of expression for brands was sharpened when she joined forces with the Cent Degrés agency.
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